Mar 23, 2019 · The Rokinon 12mm f/2.0 NCS CS lens ($299) for Micro Four Thirds is an affordable, effective optic for night sky photography, as I talked about in the last TDS podcast. But this lens is no one-trick pony. It's also quite capable for landscape and urban work.
Oct 21, 2019 · The Rokinon 12mm f/2 lens is a great ultra-wide-angle option for your Fujifilm X camera. Its very easy to recommend. Although this lens does have some minor flaws, its pretty great overall, and its easy to overlook the shortcomings when you consider the price. Lensrentals - Rent a Rokinon 12mm T3.1 Cine DS for The Rokinon 12mm T3.1 Cine DS for Sony E is a fully manual fisheye cine lens designed for Sony E-mount cameras and camcorders. Key features include:Full-frame coverage with a 180° angle of view. Advanced optical design for high-quality images. Stepless, 0.8 pitch gear aperture and focus rings.
Rokinon 12mm f2.0 High Speed Wide Angle Lens for Sony E Mount APS-C Cameras. 5 out of 5 stars. (40) 40 product ratings - Rokinon 12mm f2.0 High Speed Wide Angle Lens for Sony E Mount APS-C Cameras. £136.02. £25.01 postage. 18 watching. See more like this. Rokinon - Our newest Rokinon 12mm F2.0 Wide Angle Lens Our newest Rokinon 12mm F2.0 Wide Angle Lens is available for Sony E, Fuji X, Micro Four Thirds, Canon EF-M, and Samsung NX mounts
May 04, 2015 · Oct 11, 2014 Review of Samyang 12mm F2.0 NCS CS / Rokinon 12mm F2.0 NCS CS. 21. Build Quality:The lens is well constructed and relatively small. The lens mount is metal and the front of the barrel and the focus ring is plastic. It has a 67mm Rokinon 12mm F2.0 NCS CS Ultra Wide Angle Lens Sony E Rokinon 12mm F/2.0 Overview. The Canon-M Mount Rokinon 12mm f/2.0 NCS CS Lens is a prime super wide angle lens designed specifically for Sony mirrorless cameras with APS-C sized image sensors. Providing a 35mm-equivalent focal length of 18mm and a broad 98.9° angle of view, this lens is great for interior, landscape, and architectural images.
Nov 21, 2016 · The Rokinon 12mm f/2.0 lens is back in Stock for $299 only at and BHphoto. Reminder:Up to $600 off on Panasonic cameras and lenses at BHphoto and Adorama:Up to $600 off on Panasonic GH4 kits at BHphoto, Adorama and . $200 off on Panasonic GX8 kits at BHphoto, Adorama and . $100 off on Panasonic GX85 kits at BHphoto, Adorama Rokinon 12mm f/2.8 Full Frame Fisheye Review - Steve's May 09, 2016 · The Rokinon 12mm f/2.8 Fisheye lens is a very unique lens; providing you with a very wide, distorted image. This is a completely manual lens, which slows you down and gets you to put more thought into your photography. Read more in our Full Conclusion.
Pre-order the new Rokinon & Samyang lenses here on B&H. Of course, while 10mm f/2.8 sets a new record for APS-C sensors, (the previous wide-and-fast speed record being held by the Tokina 11-16mm f/2.8 DX) a 10mm prime on a 1.5x crop sensor is only equivalent to 15mm on full-frame, which is nothing new since full-frame sensors have had access to numerous 14mm f/2.8 options for many years. Rokinon Digital Cameras Lenses - Product Title Rokinon 12mm F2.0 Ultra Wide Angle Camera Lens for M Average rating:5 out of 5 stars, based on 1 reviews 1 ratings Current Price $323.00 $ 323 . 00
The Micro Four Thirds Mount Rokinon 12mm f/2.0 NCS CS Lens is a prime super wide angle lens designed specifically for Micro Four Thirds mount cameras with APS-C sized image sensors. Providing a 35mm-equivalent focal length of 18mm and a broad 98.9° angle of view, this lens is great for interior, landscape, and architectural images. RokinonType of Lens. AF - Auto Focus. MF - Digital Photo. SERIES II Photo/Video. Cine. Cine DS. Cine DSX. SP - Special Performance. 12mm F2.0 AF Sony E.
View Details. Rokinon Cine XEEN 24mm T1.5 Manual Lens for Canon EF-Mount. $1,200.07. 375001. Add to Wish List Add to Compare. View Details. View Details. Rokinon 14mm f/2.4 (SP) Manual Lens for Canon E-Mount. $669.84.Lens Review:Rokinon 12mm f/2 NCS CS FUJI X WEEKLYOct 21, 2019 · There is pronounced vignetting at f/2 on the Rokinon 12mm, but it becomes less obvious as you stop down. Its pretty minor by f/5.6, but I dont think that it ever completely goes away. Chromatic aberrations can be found in the corners when wide open, but largely go away by f/4. Coma is well controlled, but slightly noticeable at f/2.